Sadri Alışık Commemoration Days in Istanbul with IMM

Sadri Alışık Commemoration Days: A Week-long Journey Through the Heart of Turkish Cinema

Sadri Alışık Commemoration Days, organized in cooperation with IMM Culture and Sadri Alışık Cultural Center, is not just a memory event; It is a dynamic meeting that reminds us of the cornerstones of Turkish cinema and brings them back to the agenda. Visitors are invited to an unforgettable cinema week between 20-27 December 2025. The films and interviews to be screened during this process will strengthen intergenerational ties by examining the evolution of Turkish cinema in depth through the actor’s life and artistic journey.

The event takes place in three important cinema venues in different districts of Istanbul: IBB Beyoğlu Cinema, IBB Kartal Cinema and IBB Sultangazi Cinema. This multi-venue strategy aims to reach large audiences and spread the influence of cinema in various social contexts. The films in the program include productions starring Sadri Alışık and representing the golden periods of Turkish cinema, offering the audience the opportunity to think deeply about both nostalgia and current aesthetics.

At the heart of the event is the special talk titled Sadri Alışık is 100 Years Old. This session, which will be held with the participation of Nebil Özgentürk, Kubilay Çelik and Fehmi Yaşar, brings together the perspectives of a documentary writer, a writer-researcher and a screenwriter-director, turning Alışık’s life and artistic adventure into a multi-dimensional narrative. Alin Taşçıyan, who acts as the moderator, directs the conversation with a fluent dialogue and a critical perspective and enables the participants to deepen their thoughts.

Highlights and Performances from the Program

The program consists of screenings and talks, each of which turns into a cinema lesson in itself. The featured content below provides the viewer with both historical context and current cinematographic practices:

• İBB BEYOĞLU CINEMA — Saturday, December 20, 16.00: Ah Beautiful Istanbul (Director: Atıf Yılmaz)
• Saturday, December 20, 18.00: Sadri Alışık 100 Years Old interview — Nebil Özgentürk, Kubilay Çelik, Fehmi Yaşar; Moderator: Alin Taşçıyan
• Saturday, December 20, 20.00: Yalnızlar Rıhtım (Director: Lütfi Ömer Akad)
• Sunday, December 21, 16.00: Violet Eyes (Director: Atıf Yılmaz)
• İBB HOCA AHMET YESEVI CULTURAL CENTER (SULTANGAZİ) — Sunday, December 21, 16.00: Ah Beautiful Istanbul (Director: Atıf Yılmaz)
• Wednesday, December 24, 19.00: Ali Baba and the Forty Thieves (Director: Nuri Ergün)
• Friday, December 26, 19.00: Tourist Ömer is on Star Trek (Director: Hulki Saner)
• Saturday, December 27, 16.00: Mixed with Joke (Director: Osman F. Seden)
• Saturday, December 27, 19.00: Ayşecik Street Girl (Director: Ülkü Erakalın)
• İBB BÜLENT ECEVİT CULTURAL CENTER (KARTAL) — Sunday, December 21, 15.00: Ah Beautiful Istanbul (Director: Atıf Yılmaz)
• Friday, December 26, 15.00: Ali Baba and the Forty Thieves (Director: Nuri Ergün)
• Friday, December 26, 18.00: Tourist Ömer is on Star Trek (Director: Hulki Saner)
• Saturday, December 27, 15.00: Mixed with Joke (Director: Osman F. Seden)
• Saturday, December 27, 18.00: Violet Eyes (Director: Atıf Yılmaz)

Documentary and Writing Perspective: Depths of Remembrance Days

The event is not just a film screening; It is also a memory project. While Nebil Özgentürk pays tribute to the documentary tradition with the interview titled Sadri Alışık is 100 Years Old, the bridges that cinema builds with life are discussed with Kubilay Çelik, the author of the book Sadri Alışık: Hello, Not Farewell. In this context, Alışık’s acting approach and stage identity are discussed in comparison with the turning points of our cinema history. The experience of moderator Alin Taşçıyan enriches the exchange of ideas between participants and inspires the audience to form their own perspectives.

Through documentary aesthetics and editing practice, this interview not only offers the audience a historical chronology; It also shows the production processes of the period, the workflow of filmmakers and why archive studies are so valuable today. Thus, the journey of Sadra becomes a platform not only to commemorate the past but also to shape the cinema of the future.

Expanding Reach: Impression and Participation in Three Different Venues

Distributing the program to all three different venues allows viewers to create their own city guides. Beyoğlu’s central location, Kartal’s accessibility and Sultangazi’s young population increase the inclusiveness of the event. Each venue has a specific flow plan: a film screening, followed by a short talk, and then another film screening. This flow allows cinema lovers to discuss cultural and historical ties while encountering works of art.

İBB Beyoğlu Cinema is positioned as the bridge between the classical period of Turkish cinema and the younger generations. Productions such as Ah Güzel İstanbul and Yalnızlar Rıhtımı carry the signature of masters such as Atıf Yılmaz and Lütfi Ömer Akad and take the audience to the golden age of Turkish cinema. Kartal and Sultangazi venues facilitate regional access and strengthen the participation of local communities. Especially the complementary films in the December 27 program serve to keep the regional memory alive.

Visual and Linear Flow for Content Quality and a Successful Commemoration Experience

The success of an event is measured not only by the films shown, but also by how the content stream is delivered. Film screening times, interview times and speakers’ identities are clearly stated on the program page. This clarity allows the viewer to ask “where are we when?” It answers your question quickly and makes it easier to stick to the program. Additionally, documentary-focused interviews deepen the audience’s understanding of cinema’s production processes and arouse a sense of academic curiosity.

The archival value of the event also stands out in this context. Critical conversations that follow screenings allow the audience to take notes and develop their own analysis. This is not just a nostalgic culmination of a bygone artistic value; It also contributes to the formation of an ecosystem of thought that has become a source of inspiration in current cinema production.

Practical Information: Where, How Do I Participate and Which Contents Are Foregrounded?

Current information and accessibility aspects of the event are announced via IBB Culture’s social media accounts and kultursanat.istanbul. This information makes planning flexible, taking into account the potential for the program to change. The most critical information for visitors can be summarized as follows:

• Program Times: Film screenings and interviews are held at determined days and times in each location. Official announcements should be followed for the current program.
• Locations: İBB Beyoğlu Cinema, İBB Kartal Cinema and İBB Sultangazi Cinema. Each venue has easy access to the city transportation network.
• Staff: Nebil Özgentürk; Kubilay Çelik; Fehmi Yaşar; Names such as moderator Alin Taşçıyan are the main speakers of the conversations and determine the direction of the discussions.

Inventory and Voiceover: SEO and Community Value with Quality Content Production

In the content production for such an event, themes of community-oriented review, digitalization of cultural archives and current cinema culture through the legacy of a famous actor are prioritized. At the same time, the digital narrative of the event includes a structure that is clear keyword-focused and meets user intent to rank higher in search engines. Below are the key components of the content strategy:

• Main theme: Sadri Alışık and the historical impact of Turkish cinema
• Current venues: Beyoğlu, Sultangazi, Kartal cinemas
• Interview content: Intersection of documentary production, life story and writing work
• Visual archive: Content supported by movie posters, photographs and short clips

Content Suggestions That Enrich the Audience Experience

For those who cannot attend the event or want to establish a deeper connection between the programs, these content suggestions may be valuable:

• Providing the audience with information and context during the conversation after each screening with the Streaming Timeline
• Brief explanations on the Cultural Context of Films; association with the political, social and cultural dynamics of the period
• Archive-Focused Content—in-depth information about cinema equipment, technical difficulties and production methods of that period
• Attendee Comments—collecting and sharing audience feedback via social media

In Summary: Why Are Memorial Days So Important?

While Sadri Alışık Memorial Days reveal the historical texture of Turkish cinema, it also becomes a source of inspiration for today’s creators. This program reflects not only nostalgia, but also today’s cinema practice and serves as a guide for future generations. Rediscovering classics such as Ah Beautiful Istanbul, Tourist Ömer on Star Trek, Ayşecik Sokak Kızı becomes a mentor lesson for young people; It also offers experienced viewers new insights into the depths of cinema history. This event once again reminds us of the influence of Turkish cinema that spans five continents and opens a window for every viewer to enrich their visual memory.